If I seen that nigga, I would have killed him.” On the last track, Tyler raps, “Fuck that nigga, Sammy.
TC for getting caught masturbating on “Tamale.” The album ends with Tyler getting sent to Dr. Tyler recruits Earl and Domo on “Rusty” to help him fight Sam, and on “Trashwang,” they go to war. The “shit” gets delved into like doctors playing operation on PCP with “Pigs” as Sam murders a bunch of people. At the end of the track, Tyler asks Salem, “Why is Samuel such a fucking dick?” to which she replies, “He isn’t such a badass actually, he’s only here because he ran away, because some shit happened back home.” This suggests that Sam wrote the song "IFHY" directed toward Tyler and Salem, because Tyler “shoved his cock bitch” (as referenced in "Yonkers"). Wolf Performs Sam's Song, Sam Performs Wolf's Song. In the video for “IFHY”, the description reads: He asks her to “take a chance with a nigga, like me,” and when Sam goes out on a drug run on “Bimmer,” Tyler tells Salem how her “man got a lame impala.” Sam comes back at the end of the track and is pretty pissed off because Tyler has taken Salem down to the lake, a location referenced on GOBLIN track “Analog.” On “Partyisntover / Campire / Bimmer,” Tyler starts to hit on Salem. Sam continues through the album, angrily rapping about how he sells blow (Y U Mad, bro?) while Tyler battles through father and fame problems ("Answer" and " Colossus"-Tyler's "Stan" moment). On “Slater,” Salem rides on the handlebars of Sam’s bike, while Frank Ocean pisses Sam off by bullying him for talking to a piece of scrap metal on wheels. On “Awkward,” Sam and Salem talk about how they met and fell in love. Specific characters lead the narrative of certain songs. The two then enter a tumultuous relationship throughout the trilogy, battling for the love of Sam’s girlfriend, Salem. When Tyler meets Sam, Samuel is brash and tells Tyler to “stay the fuck out of his way.” Tyler appears to have been sent to Camp Flog Gnaw to deal with the loss of his grandmother ( “Jamba”) and his inability to contact his father ( “Answer,” which is beautiful in a floating-around-in-a-haze-bubble-with-R.-Kelly kind of way) suggesting that Camp Flog Gnaw may be a misnomer for the therapy and asylum sessions set out on BASTARD and GOBLIN, respectively. The record starts with the title track, “Wolf," in which Tyler is introduced to Sam, who has been at Camp Flog Gnaw for a while. First, without any music or lyrical bias, the cover art for WOLF suggests that the record has a a reminiscent theme, with Tyler looking back at images of a younger version of himself, so I'mma go right ahead and put it at the beginning.
Looking past the cultural references, the trilogy goes, in terms of narrative chronology, as follows.
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